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The pickup was called the "Amplified Peg," which became "Ampeg. In the early 1960s, Ampeg-branded guitars and basses were produced by Burns of London , but these instruments did not sell well, because the cost of importing the instruments made them too expensive compared to Fenders and Gibsons. Unimusic consisted of investors interested in capitalizing on opportunities in the highly fragmented music equipment manufacturing market of the time, not unlike CBS which owned Fender and Rhodes , or the later Norlin which at times owned various music instrument brands, including Gibson Guitars , Lowrey and Moog Music. The closest they came to a rock'n roll endorser at one point, was by way of Joe Long , a left-handed bass player of the Four Seasons , who played the company's Horizontal Bass. Ampeg went back to a tube rectifier and changed to a printed circuit board in 1964 B-15NC.

Ampeg also manufactured or had manufactured for them lines of quirky but distinctive instruments to complement their amplifiers. Original SVT bass amps are highly sought-after for their pleasing sound and were used by many professional bassists in the '70s. In 1971, Ampeg was acquired by Magnavox , and it would lead to a distributorship deal with the Swedish guitar company, Hagström. Wikimedia Commons has media related to Ampeg. There were also Ampeg branded accessories that included covers, picks, strings, straps, polish, as well as two practice amps, the Sound Cube and the Buster a Pignose clone.

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Unsourced material may be challenged and removed. Some of these, reissued under the "Diamond Blue Series" designation, used the names of vintage Ampeg amplifers such as Jet and Reverberocket and featured the bluish-colored diamond-checkerboard covering associated with Ampeg amps of the 1960s. Although the company specializes in the production of bass amplifiers , it also manufactures pickups and has previously manufactured guitar amplifiers and several instruments including , double basses , bass guitars , and electric guitars. In 1966, Ampeg introduced their home-built line of long-scale " Horizontal Basses " aka "scroll" or "f-hole" basses , both fretted and fretless reputed to be the first production fretless electric bass [ citation needed ].

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Baby Bass , introduced around 1962, was an electric upright bass with a full-size wooden neck and a cello-sized Uvex plastic body not fiberglass, as is often stated. This section is empty. Some with different bodies were produced as the " Devil Bass " with distinctive horns, but the circuitry was identical. The transparent lucite bodies were Armstrong's original idea and contributed to long sustain but were very heavy. Baldwin 's purchase of Burns in 1965 ended the association with Ampeg.

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Some of these, reissued under the "Diamond Blue Series" designation, used the names of vintage Ampeg amplifers such as Jet and Reverberocket and featured the bluish-colored diamond-checkerboard covering associated with Ampeg amps of the 1960s. This article needs additional citations for verification. In 1966, Ampeg introduced their home-built line of long-scale " Horizontal Basses " aka "scroll" or "f-hole" basses , both fretted and fretless reputed to be the first production fretless electric bass [ citation needed ]. This was further compounded by the one chief competitor Hull disliked the most; Fender , as they continually bested Ampeg in overall sales. Baby Bass , introduced around 1962, was an electric upright bass with a full-size wooden neck and a cello-sized Uvex plastic body not fiberglass, as is often stated.

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Baldwin 's purchase of Burns in 1965 ended the association with Ampeg. The circuit designs of these amplifiers, however, were new. By using this site, you agree to the Terms of Use and Privacy Policy. Archived from the original on July 7, 2011.

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In 1962, Ampeg relocated to Linden, New Jersey, and became a publicly owned company after an initial public stock offering the following year. The closest they came to a rock'n roll endorser at one point, was by way of Joe Long , a left-handed bass player of the Four Seasons , who played the company's Horizontal Bass. Unimusic consisted of investors interested in capitalizing on opportunities in the highly fragmented music equipment manufacturing market of the time, not unlike CBS which owned Fender and Rhodes , or the later Norlin which at times owned various music instrument brands, including Gibson Guitars , Lowrey and Moog Music. In the mid-1990s, SLM issued several guitar amplifiers under the Ampeg name. In 1961, Ampeg became the first company to incorporate reverberation reverb in an amplifier with its Reverberocket , which preceded Fender 's Vibroverb amp by nearly two years. While vintage Fender amps consistently command high prices, Ampeg guitar amps such as the Reverberocket can often be found for prices atypical of vintage amplifiers.

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This combo bass amp was introduced in 1960 as the Portaflex , and remained a popular choice through the 1960s. In the mid-1970s, Ampeg had a line of Japanese-made guitars and basses under the "Stud" name. In the mid- to late-1990s, Ampeg reissued the Baby Bass, the Horizontal Bass, [8] and the "See-Through" instruments, as well as wooden instruments based on the "See-Through" design. He tendered his resignation in October, 1968. The high power rating made the SVT a candidate for use in larger venues. This section is empty.

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In the early 1960s, Ampeg-branded guitars and basses were produced by Burns of London , but these instruments did not sell well, because the cost of importing the instruments made them too expensive compared to Fenders and Gibsons. The Patch 2000 consisted of a Hagström Swede with frets wiring, Ampeg Patch 2000 Pedals, and an external synthesizer was required Steiner-Parker Microcon was designed for it. In 1971, Ampeg was acquired by Magnavox , [2] which also owned Selmer , the Band Instrument manufacturer, but was better known for televisions, radios and Hi-Fi systems. Baby Bass , introduced around 1962, was an electric upright bass with a full-size wooden neck and a cello-sized Uvex plastic body not fiberglass, as is often stated. This article includes a list of references , but its sources remain unclear because it has insufficient inline citations.

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Louis Music and its brands including Ampeg and Crate amps , ceasing production of Ampeg and Crate at the manufacturing facility in Yellville, Arkansas in March 2007 and subsequently outsourcing Ampeg and Crate amplifier manufacturing to contract manufacturers in Asia. Hull also naively believed that the accordion was just as popular as ever, and denoted "accordion" jacks on certain amp models. Ampeg is a manufacturer best known for its bass amplifiers. Unsourced material may be challenged and removed. This combo bass amp was introduced in 1960 as the Portaflex , and remained a popular choice through the 1960s.

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This combo bass amp was introduced in 1960 as the Portaflex , and remained a popular choice through the 1960s. Ampeg also produced effects pedals, including stand-alone reverb units in the 60s, the Scrambler distortion from 1969 a resurgence in interest resulted in an updated Scrambler being reissued in 2005 along with Sub-Blaster octaver that produced a note one octave down , the Phazzer phaser from the mid- to late-70s, and a line of nine stomp boxes produced in Japan in the mid-80s. The Portaflex bass amp was also reissued, this time with updates to make them more appealing to modern-style bass players. After Ampeg was sold to Unimusic in 1968, Dan Armstrong would be brought on board, and along with the opening of regional offices in places like Nashville, and the West Coast, the company's previously stodgy image would be dealt with, once and for all, especially with the creation of the all-new SVT amp, which would be "field-tested" by the Rolling Stones during their 1969 concert tour. The SVT saw widespread use by rock acts in the 1970s and is still considered by many to be the world standard reference bass amp. PF-350 class D head.

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  1. By using this site, you agree to the Terms of Use and Privacy Policy. Retrieved May 10, 2018. This was further compounded by the one chief competitor Hull disliked the most; Fender , as they continually bested Ampeg in overall sales. It appeared in Ampeg's price list until about 1970, and overall, weren't terribly popular; the exception being with some bassists in Latin Salsa-music bands, on account of the instrument's reputedly "thoompy" sound [ citation needed ].
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  2. While vintage Fender amps consistently command high prices, Ampeg guitar amps such as the Reverberocket can often be found for prices atypical of vintage amplifiers. He tendered his resignation in October, 1968. V series guitar amps V2 and V4 heads along with the VT-40 and VT-22 combos are sought after for the classic 70s crunchy but clean sound. This model lasted until mid 1965, when they introduced the B-15NF with fixed bias tubes and a single-baffle cabinet.
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Baldwin 's purchase of Burns in 1965 ended the association with Ampeg. Currently, Ampeg mostly offers covers, some outerwear, and a few other accessories with their logo. In other projects Wikimedia Commons. Archived from the original on July 7, 2011. Unsourced material may be challenged and removed. From Wikipedia, the free encyclopedia.

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Compared to the major brands Fender and Marshall , the collectability and playability of the guitar amps is a mixed affair. Currently, Ampeg mostly offers covers, some outerwear, and a few other accessories with their logo. This model lasted until mid 1965, when they introduced the B-15NF with fixed bias tubes and a single-baffle cabinet.

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Ampeg went through numerous ownership changes over the next two decades with Unimusic taking over in 1967, Magnavox in 1971, and MTI in 1980. In 1971, Ampeg was acquired by Magnavox , [2] which also owned Selmer , the Band Instrument manufacturer, but was better known for televisions, radios and Hi-Fi systems. Baby Bass , introduced around 1962, was an electric upright bass with a full-size wooden neck and a cello-sized Uvex plastic body not fiberglass, as is often stated. Some with different bodies were produced as the " Devil Bass " with distinctive horns, but the circuitry was identical. At the same time, short-scale fretted and fretless basses, with magnetic pickups, were also produced.

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